當電影成為存在於新媒體、數據資料庫、蒙太奇敘事、與「媒體語言—文化地理」的雙重離散性之間的一種混雜介面時，「文化跨碼」（cultural inter-coding）如何成為新媒體作為電影的內部語言？本講主要探論「螢幕紀錄片」如何以一種可以不斷被交換、轉譯且在語言的翻譯政治下形構了文化交互介面，成為跨文化電影的另一種格式，並思考「文化跨碼」如何在雲端檔案混雜的「糾纏區帶」中成為多重檔案織線，外展為記憶、翻譯與變形的軟場景。

As cinema becomes a hybrid interface between new media, databases, montage narratives, and the double discrete of “media language-cultural geography”, how does “cultural inter-coding” become the intrinsic language of new media as cinema, how does it differentiate itself from intercultural cinema, and how can it be constantly exchanged, translated and shaped by the politics of language translation, forming an interactive interface of culture and becoming an alternative format of intercultural cinema. Afterward, the two interwoven visual languages of soft cinema and soft montage are extended into a “soft-documentary”, illustrating how, in the context of globalization, the “cultural inter-coding” becomes a multiplicity of archival strings in a hybrid “entangled zone” of cloud archives, and extends into an arbitrary space of memory, translation, and “Soft-Scene”.